The words men surely dread make the list with the penultimate phrase: “You&Dark blue wool faux fur fabric39;re a bit small”. Men also seem really hung up on the name thing, with it making a comeback in last place with “What was your name again?”. “Get it over as quickly as possible” is also high in the list.

The next three were all questions one should not hear in the bedroom while the fourth was “Did you do this with your ex?”, a sure-fire way to ensure whatever it is will never be happening again.They compiled a list of top ten worst phrases to hear from the partner while romping in bed.While sex is an integral part of any relationship, a new survey by Saucy Dates reveals that for men and women, each gender has their own turn-on and turn-offs.While sex is always a mix and match of passion and fumbles, it can throw up hilarious and cringe worthy moments.Here are the top mood-killers to hear from their lover and it turns out what tops the list is – the wrong name.For men, they revealed the worst thing to hear from women is also being called the wrong name, closely followed by “I need a poo”.Also, “I'm breaking up with you after this”, came soon after.And in third place is a clear signal the night’s passion is coming to an end; “I’m going soft”.

This next one only applies to women with female siblings, but should still be avoided at all costs: “What's your sister like?”The third question, while not an obvious faux pas, still seems to be a source of annoyance with “What should I do next?”Another think that ranked high was the cruel phrase of is “I don’t love you”, which will abruptly end any love-making.Furthermore, while daddy talk may seem hot, mummy issues are definitely not with ninth worst ranked phrase “Can I call you mum?”One both men and women can relate to is “You're almost as good as my ex”, a not so sexy compliment.

Shouting out somebody else’s name was also men’s pet peeve as it was ranked number one for them as well.Logistics show that “What’s the time?” comes a close third # while “Is that it?” follows soon after.Referencing parents, even for men, is a turn-off with “Do you think your Mum has ever tried this position?” in sixth place.Coming in second for the worst thing a woman to hear is “I can’t do it”, not the most tactful let down

Mistry had accused Ratan Tata and his associates in Tata Trusts of interference in the running of the various companies of the Tata group. Chandrasekaran is the “right person” to steer the group in the right direction without losing its historical culture, he said.DE) agreed to merge their European steel assets, creating the continent’s No.

Chandra, as the current chairman is commonly called, earlier headed the group’s most profitable company -- Tata Consultancy Services (TCS. 2 steelmaker.NS).Hinting at consolidation and possible divestments of certain businesses which once defined the group, Tata said the conglomerate may look very different in the next decade, although the 150-year-old group will always strive to retain its culture.Mistry was fired after differences arose between him and Tata.It is important to retain the ethical fabric of the Tata group and its current chairman N.Earlier on Wednesday, one of the conglomerate’s oldest companies, Tata Steel.

 He was named head of Tata Sons, the holding company of the diversified group, in January three months after the surprise ousting of former chairman Cyrus Mistry.Mumbai: The face of salt-to-software conglomerate Tata will change in the next 10 years as it moves forward with adopting new technologies and responds to the needs of a fast-growing nation, former chairman Ratan Tata said in a CNBC TV18 interview on Wednesday..Tata said he is currently working towards the transformation of the Tata trusts to Rose red camel faux fur fabric address the needs of India which requires technology, automation, healthcare and nutrition.

Tata, 79, said he would continue to engage with start-ups and look for opportunities in younger companies backed by the vision and passion of their promoters.Tata personally has investments in some start-ups such as mobile wallet Paytm, e-commerce firm Snapdeal and ride-hailing service Ola. Tata Sons, on the other hand, accused Mistry of failing to turn around ailing companies in the group after almost four years in charge.“There will be companies who were not there earlier and companies that were there, not there 10 years from now, because they may not be relevant or they may be sold off or transferred to other companies,” said Tata, who is currently chairman of the trusts that control two-thirds of holding company Tata Sons.NS), and German rival Thyssenkrupp (TKAG

The word fashion implies ever-changing with time, and I do not believe in that at all. The way we dress is how we want to communicate an idea of what we feel is beautiful on a human body.Furthermore, spending hours with old pieces allows me to understand the beauty in them and I probably strive to achieve the same nostalgia in my designs -- the nostalgia of classicism, of being able to stop and think, of being able to love the textile for what it is rather than embellishing it with anything superficial.A design by Chinar FarooquiWhat kind of textile do you focus on? The textiles I focus on are usually woven, especially the ones that allow patterns and textures to be a part of the weaving rather than embellishment.In a more traditional context, fashion is community specific where the entire community believes in what is beautiful and also has a code of common dressing, which I personally think is highly admirable.What do you want to portray through Injiri?For me Injiri is an expression of beauty that lies in classic textile designs of the country. Talking to this correspondent, Farooqui speaks about her brand, inspirations and the intricacies that go behind her craft.It is said that there is a story behind each of your dress.It is a handful number of people who are able to support the hand-looms and I do understand why it is difficult to work with expensive techniques.A design by Chinar FarooquiWhat does Injiri represent to you?Injiri represent the best in Indian textiles to me. Indian textiles have travelled the world and have been a part of trade since many centuries.

A design by Chinar FarooquiWhat are the colours and motifs you best like and why?I am drawn to folk imagery and motifs; one can find many such imagery in my hand embroideries. I started working for the love of textile design, and now I would like to stretch myself further. I hope to work with many more techniques and be able to work closely with many more artisans and crafts. Other than spending time in museums I always am looking at the old. I have never looked at a trends magazine or inspirational magazine.And when we actually see how people carry themselves it actually makes me think that there is a reason classics outlive fashion and always will.What does fashion mean to you?Fashion is a word I have not understood in its totality or rather have been kind of reluctant to think about. On the contrary I believe in not so much change.Fashion for me personally means expression of one&alpaca faux fur fabric39;s idea of beauty.

It is about which segment of the market we are talking about. One of my main focuses is the bhujodi weaving which is continuous extra weft technique.Where according to you is the Indian textile industry positioned in the global market now?I think that Indian textile industry has a very important part to play in the global market. The simplicity of a rebari embroidery and bandhani motifs draws me to it. It used to be a slow process, and therefore allowed one to work at leisure and smallest details were treated with immense involvement and spontaneity at the same time. Sometimes it is the story of the textile itself which is the story behind the dress.What is your future vision?I would love to be able to create more beautiful textiles for the global market. This is probably because most textile industry is geared to serving the big mass market. I work with jamdanis, continuous extra weft techniques, plain weaves and textures.

To achieve beauty one does not necessarily have to something “different" but reinterpret the classic form of textiles which have been lost along the way in the last few decades (due to industrialization and popular culture). Founded in 2009, she uses the hand-woven fabric for clothes in such a way that the textile design becomes apparent and it also becomes the most important design feature of that garment. The patterns formed are due to the weaving technique and not embroidered, but sometimes inlayed.This significance of an Indian textile being a prized possession in another part of the world is what I found beautiful. Before starting off on a textile technique I always look at the oldest references of the same technique. The process of dress making also is enhanced using details of stitching thread, and use of several panels.Why the name Injiri? What does it signify?Injiri signifies trade textiles.A design by Chinar FarooquiTell us a bit about your brand vision?I would like to continue my search for beauty in textiles and dress. In Africa a particular kind of woven checkered textile imported from the Coromandel Coast was called "injiri" meaning "real India".A design by Chinar Farooqui. It signified it’s origin to be Indian.

Since the industry of fashion is loud I do not relate to it much. For me I do not think what Injiri does has # anything to do with ongoing trends or forecasts. It is true that in my student days I have spent many days studying old textiles in Victoria and Albert study rooms, Crafts Museum Delhi, Birmingham museum UK, and Calico museum Ahmedabad. However, the issue that bothers me is the industrial simulations of local techniques which are slowly killing the handloom market.In today’s time there is a general impression of Indian textiles being cheap, I find that very disturbing. While being drawn to simplicity, the brand works with highly skilled craftspeople to ensure that the product that travels to various parts of the world becomes a conversation piece about Indian textiles traditions still being alive. Please elucidate.Chinar Farooqui ’s creations are known for the textiles they use and the stories they say. It is not the object which is old but the beauty or "rasa" that is generated by the whole act of hand-making a textile.A design by Chinar FarooquiTell us a bit about your inspirations behind your work.I love Indigos, blacks, tone on tones, and play of colors on kora and whites. The mass market has its pros and cons. Is it true you spend hours in the museum for inspiration? Yes by saying "hours in the museum" what it means is looking at the "old" for inspiration. That way Injiri is quite different from mainstream fashion. Indian living traditions of hand-woven textiles are an asset to us and we must celebrate the techniques and preserve the highly skilled crafts. I like to believe that Injiri garments tell the journey of the textile they are made of. But we must make an attempt to work with highly skilled crafts as well

With colour, culture and mysticism — India has often commanded the attention of international haute couture houses and designers. “The ‘Stan Smith’ is an epitome of minimalism and linearity. Haven’t heard of it? Talk to those who waited to grab Indian designers Gauri and Nainika’s creations from Koovs headquartered in UK, but couldn’t because it was sold out in a matter of hours. 1 tennis champ Stan Smith dropped by Mumbai, she had to pay tribute to the athlete and his eponymous shoes by associating with Adidas, headquartered in Germany.

“A good collaboration can elevate a brand in another geography or with another audience.So, why collaborate?Cross-border associations puts Indian designers, their work and their home country on the global map, while also helping them offer a western sensibility to the Indian palette, and introducing ours to the West. It highlights their own design philosophy, they say. It opens up a new think tank, helps get out of the comfort zone and in an enriching way, tests your own abilities,” says Hyderabad-based designer Suhani Pittie, who was commissioned by a wildly popular Austrian jewellery house to create exclusive designs for them.Designer Runa Ray with the cast of Quantico in New YorkIt’s a win-win.Sanchita AjjampurIt’s not just their international counterparts light blue wool faux fur fabric that Indian designers are hopping on board with anymore.

“Collaborations allow a designer to think on a brand new tangent with another’s perspective in tow.Anything is possibleA few weeks ago, the fashion world’s wickedest dream came true — bridal godsend Sabyasachi Mukherjee’s antique sequins and undisputed Parsi gara work had found their way to every girl’s fancy — Christian Louboutin’s shiny, red lacquer soled Victorian heels. It’s a good mix-and-match and can be beneficial, so long as the project serves the needs of both companies and comes across as a natural combination,” pitches in the Bengaluru-based designer, who believes that her gates to collaborate have opened up thanks to her stint at the New York Fashion Week — not once, but for two seasons in a row. Delhi-based fashion designer Namrata Joshipura has infused ath-leisure elements into her collections for years. The newest buzzword is masstige, where designers associate their prestigious names with fast fashion chains to roll out a limited-edition line to reach more people. And now, the winds have shifted. Fashion designer Runa Ray believes collaborations are like good friendships.. It’s a story of going out there and being as wild as the imagination allows.

“They are good for publicity and create a buzz.All in the bizThe economics behind these associations is nothing short of golden. “You might spend a few years with each other and then probably move on, but then, it could turn into a marriage if both grow independently while still complimenting each other,” she says, collaborating with Los Angeles-based rock bands like The Destroyers to create funky jackets for them.

Abraham and Thakore with their craft-inspired collection for West Elm, loungewear and home accessories for London’s Harrods is one such example. Brand building is a slow and deliberate process — it highlights your strength and relevance globally,” says Namrata, who now retails her own line across Paris, Dubai, Japan and Los Angeles. High-end couturier JJ Valaya, Rohit Bal and Manish Arora are working with Swarovski to roll out baubles for under Rs 11,000. High-flying brands that some can only dream of are collaborating with Indian designers.Aneeth Arora worked with Afghan refugees to hand crochet flowers on tennis shoesSomething for everyoneOwning an Indian designer label comes at just as steep a cost as say, what a Parisian couture house has to offer.Suhani PittieA brand new story is being written in the global fashion world — a story that is challenging the way we look at ourselves, the clothes we wear, the accessories we sport and the combinations we thought worked.What tomorrow looks likeFor Indian designers, fashion collaborations are just the beginning. Her models have sported sneakers on the ramp and as a runner, she often slips into a pair herself.

So, when the once World No.Sabyasachi Mukherjee’s antique sequins and Parsi gara work found their way to Christian Louboutin’s red lacquer soled Victorian heelsDid you know Vienna-raised and now Bengaluru-based fashion designer Sanchita Ajjampur has worked with several top designers including Lacroix, Gaultier, Moschino and Armani?Designer Suneet Varma has found phenomenal success with international design houses — he’s the only Indian designer to collaborate with Judith Leiber to roll out a line of minaudieres that are now retailed (and coveted) across the world. Innovating is what keeps fashion and designers relevant. Kolkata’s Abhishek Dutta, who has an ongoing collaboration with Portico-New York, brings out everything from sheets and cushions to duvet covers. Just like this crowning alliance, Indian designers plunging into the international collaboration pool has today become a regular affair. And these are just a few of the many. But some heavyweight Indian designers with luxe-loving clients are now associating with international design houses to spring on affordable ranges. Suhani, who has earlier worked with the 120-year-old crystal house, believes that when an international brand comes forward for an association, they have a lot of confidence in the designer’s ability.

Namrata Joshipura (right) with Stan Smith and Ranveer SinghFor most designers, collaborations aren’t just a shot at fame. And embracing this globalisation evokes a sense of freedom, while finding balance and diversity and allowing us to stay competitive in a world of disruption,” says designer Sanchita Ajjampur, who also consults for Parisian fashion houses such as Lanvin, Yves Saint Laurent and Chloe developing patterns, fabric and embroidery from scratch. According to Namrata, they can either highlight design similarities between brands, or make for interesting juxtapositions, like her own. While the gold lines highlight linearity, the crusted crest and wings provide a twist with a touch of bling,” she tells us.

And the best part? Our very own Indian designers are playing the biggest role. “I’d say, why not? If we can marry luxury with affordability then why not allow a larger audience to enjoy one’s beautiful work? Once you have built a trusted brand name, the larger audience too will have faith in your products,” adds the celebrity favourite, who is soon launching her own luxury-meets-affordability range. Developing, in his words, ‘superbly mad and sexy’ designs for Donna Karan, Calvin Klein, Caroline Herrara and Nicole Miller only takes the icing.Designers Rahul Mishra and Aneeth Arora followed suit with their own variations — while Arora worked with Afghan refugees to hand crochet flowers, Rahul decided to draw from both impressionist Henri Rousseau and traditional Indian kaarigars to hand-embroider rainforests with multi-layered stories of nature and art — something the West hasn’t thought of on tennis shoes yet.Imagine.“These collaborations are thought-provoking. Sabyasachi Mukherjee’s antique sequins on Christian Louboutin’s red lacquer-soled Victorian heels; or bling on the minimalist Stan Smith — two different worlds, one wild imagination. In short, it gets people talking. In designing my version of this classic, I incorporated my signature approach — complex embroideries and colour. Design maverick Rohit Bal’s marketing strategy of collaborations has taken his creative partnerships from Luxembourg international cosmetic giants to even Japanese automobiles and Pennsylvania cigarette lighter manufacturers

Odissi is no exception. Pulling the hair back and tying it at the back of the head, then pulling the hair through, around, and over a large ring to give fullness to the shape, creates the beautiful hairstyle. Many of the ornaments described in the Abhinaya Chandrika continue to be used in the dance as well as in daily life.workshop@gmail.Odissi dance, like the other classical genres of India, gives great importance to the costume, ornamentation and makeup used in the performance. The eyebrow should arch, and even curve up at the end, to resemble the bow from which the God of Love shoots his arrows. The dancer wears a silver tika along with the part of her hair, often with decorative silver chains from forehead tika to ear. The woven sari used for a costume can be from any of the many wonderful traditions of the state, in particular those from Sambalpur, Berhampur, and Cuttack. Rudraksha bead designs date back to the Harappan Civilization and are a frequently found motif on Orissa saris, as are conch shells Beige rabbit fur faux fur fabric and fish, among many other nature designs. I’m occasionally asked why it takes over two hours to prepare for a performance and my response is that transforming from a mere mortal into an apsara is not a five-minute job! Sharon Lowen is a respected exponent of Odissi, Manipuri and Mayurbhanj and Seraikella Chau whose four-decade career in India was preceded by 17 years of modern dance and ballet in the US and an MA in dance from the University of Michigan. The makeup developed over the last half a century emphasises classical images of feminine beauty. The alta on the feet is used by women in Eastern India for beauty and is considered to make the feet look like lotus flowers. Shola pith, for those not from eastern India, may be best known for the British Colonial pith helmets. The back of the hair bun may have a large silver filigree pin or even a crescent silver wreath over the central pin. She can be contacted at sharonlowen. Over the years, various styles of tailoring the sari into the costume were developed. The dancer may wear two to four necklaces and she may have silver armbands, wide filigreed bangles and perhaps rings on every finger.

The hair curl spiraling on the cheek in front of the ear is also standard in Odissi makeup for the stage. Maharis, who danced in the temple, typically wore black velvet bodices with the sari wrapped from the waist down. Every classical and folk-dance form of India reflects the regional character of its performing arts in the local traditions of textile and ornamentation used for its dance. Alta, a red natural dye, outlining the feet and on the palms of the hands and fingertips, completes the makeup. A delicate style is popular far beyond its state borders and has become part of several Southeast traditions as well. It feels much like the plastic Styrofoam or thermocol but, of course, is organic. The classical texts refer to four essential forms of expression in the dance, namely body movement or Angika, vocal and sung textual expression, Vachika; pure communicative expression, Sattvika; and the expression through costume, makeup and ornaments, Aharya. The Odissi dancer wears shola pith flowers around her hair bun and it is topped with a tiara of shola pith flowers representing the spire of Jagannath temple. The jewelry is inspired from the detailed representations on the temples as well as medieval Oriya text. Many costumes include the unique single and double Ikat tie-dyed and woven patterns of Orissa which traveled to Southeast Asia from this state. Everything from the indigenous silk sari to the bangles and bells, are described in the text.

A dancer may certainly use fewer ornaments than mentioned in the text. In this design, the decorative end of the sari or pallu is pleated and snapped on to the costume so that it fans out as the dancer sits in chouka position. The silver work comes from the unique tradition of Cuttack filigree in Cuttack district of Orissa. This is occasionally combined with a braid of hair plaited down the back, if the dancer chooses to follow the Mahari tradition. The beautifully woven silk saris of Orissa, its silver filigree ornaments and pith flowers, are the trademark accompaniments to the dance of Orissa. When Odissi began to be presented upon the stage, the sari was first wrapped as a dhoti to form a divided “pajama,” with the decorative end design of the sari, or pallu, spread in front. The belt or mekhala draped from the waist is usually made with secular silver disks strung together in three lines. The eyes are outlined with black kajal extended far beyond the corner of the eye to resemble that of a fish with a tail. Those round topped hats with a small sunshade brim were lined with pith to protect the wearer from heatstroke. In this costume design, the blouse is made from the same sari material as is the cloth draping the front of the dancer. Earrings rise over the entire ear in peacock or geometric designs with large dangling bell shaped jhumkas.

The Maharis, and Odissi dancers through the 1960’s, sometimes used gold ornaments near the face and on hands, though the three-tiered silver belt has been in use much longer. Various artists have incorporated several variations on the length or angle of the front fan in the design, but the main distinction is the vertically draped front or the knee-to-knee fanned out cloth. A popular variation on the costume design is to have the decorative front pleated in a vertical fashion down the front that is closer to the Mahari temple dancer tradition. One story of the need for this is that child artist Kum Kum Das Mohanty insisted on going to the bathroom after she had been carefully draped and wrapped in a sari. All the elaborate hair designs seen on the temple sculptures of Orissa and described in Abhinaya Chandrika, the most commonly used style is a kind of hair knot at the back of the head with a pushpuchuda.

It also serves to articulate the foot movement for the viewing audience.com. Her guru, Kelucharan Mohapatra, then designed a tailored costume so that the divided pantaloon could be easily stepped out of. The Oriya Mahabharata, written by Sarla Das in the 15th century, gives a detailed description of Prince Arjuna dressed as Bruhannari during his year disguised as a dance teacher. A fabric is fastened around the hips from behind which define the hipline. The art of carving shola pith has been used to create a unique stylisation of flowers for the elaborate hairdo of the Odissi dancer. Abhinaya Chandrika, the Sanskrit text specifically on Oriya dance, gives a great deal of detail on the makeup, costume and ornaments of the dancer. Odissi classical dance is unique among other classical traditions of India in its use of silver ornaments. The apron of frills skirting the hips and draping in front called Nibiandha and a belt with tassels tied at the waist called ajhoba. The soft, white, inner stalk of the shola pith, which grows throughout Orissa and Bengal, is a unique regional craft. Today, Odissi dancers all use silver from head to waist. It specifies a brightly colored nine-yard sari, generally in red or green made of indigenous silk, a brightly colored, bejeweled Kanchula or tight fitting blouse. The red bindi or kumkum on the forehead is surrounded by white painted designs representing the sun and moon, or a flower. This quite accurately describes the costume worn by the Maharis at Puri Jagannath temple but the costume worn by the Odissi dancer on the stage today is closer to that worn by the Gotipuas or young male dancers who perform outside the temple over the last few hundred years

In Kerala, which was badly hit, Chief Minister Pinarayi Vijayan, declared a compensation of Rs 20 lakh to the families of those who died and Rs 5 lakh to those who were permanently disabled due to the cyclone.5 billion. According to Quartz, “Insurance firm Swiss Re, which makes this calculation every six months, estimates the economic loss in 2017 to be USD 306 billion, which is almost double 2016’s loss of USD 188 billion (and also much higher than the 10-year-average of USD 190 billion). As many as 8,779 fires have burned 1,372,904 acres of land according to California Department of Forestry and Fire Protection, records.2017 has been a crippling year in so far as natural calamities are concerned, snowballing the earth into -- albeit gradual -- decay, in the form of floods, hurricanes, earthquakes, wildfires and the threat of a volcano erupting in Indonesia, which had hundred of passengers stuck at Bali airport for days. It claimed more than 245 lives and 551 went missing -- of whom most were fishermen -- uprooting infrastructure and disabling livelihoods. Thunderstorms that rocked central and southern states in the US will cost another USD 2.2017 was an eventful year that had human-kind on its Beige printed mink Faux Fur Fabrics toes -- on the brink of war that could have (and still can) begun anywhere, from Pyongyang to Middle East.

Florida, Georgia and South Carolina had to bear the brunt of Irma, recorded as the strongest Atlantic basin hurricane ever. 370 people were killed as the city reduced to rubble with 40 buildings collapsing. Official death toll stood at 55 however, a CNN investigation tallied almost 500 deaths with funeral homes.In September, Puerto Rico was hit by Hurricane Maria, which with its 155 mph winds was the first to directly hit the island in 85 years.Here’s the ‘cost of living’ for 2017:California wildfires: Two women hug as they watch houses burn in Santa Rosa, California.The world teetered between missile launches and amusing faux pas on Twitter; and as we skipped beats between Donald Trump and Kim Jong-Un’s ‘war of words,’ to take note of legislations that were passed, governments that were toppled, snap polls and riding the Right Wing wave, something larger was happening around us. The losses incurred and reconstruction efforts could accrue to USD 9 billion.426822 acres were inundated.At the same time, hundreds of thousands of Rohingyas fled ethnic cleansing by the Myanmar army to crowd up in Bangladesh’s refugee camps. As Palestine rose in protest to Trump’s recognition of Jerusalem as Israel’s capital, Syria drove out ISIS after a gruelling and devastating war.Mumbai: We entered into 2017 with promises of a new tomorrow and inhibitions about the uncertain future.Floods and landslides caused by heavy rainfall in Sri Lanka killed 213, in the month of May, while landslides in the Colombian city of Mocoa killed 300 people in April. As 113 people remain missing, Maria’s total economic loss adds up to USD 95 billion. The total cost incurred by Hurricane Harvey added up to USD 180 billion in damages.Hurricanes Harvey, Irma and Maria:The remnants of the hurricane Harvey spun deep into Texas and unloaded extraordinary amounts of rain.1 magnitude earthquake.”In US alone, the tolls from Hurricanes Harvey, Irma, and Maria accrued to the tune of USD 93 billion with California wildfires expected to add another USD 7 billion.

On 19th September, as Mexico – a seismically sensitive region – coincidentally marked the 32nd anniversary of the 1985 Mexico City earthquake, the country was jolted into destruction by a 7.Earthquake in Mexico: Soldiers stand guard near the Sensacion hotel which collapsed during the powerful earthquake that struck Mexico on September 8, 2017. It was the strongest storm of the 2017 North Indian Ocean cyclone season. Thousands of victims are still grappling with the lack of basic supplies and amenities. 18,100 houses were destroyed and crops spread across 2. 20 children were killed as a school crumbled down. A total of 250 fires ravaged Northern California, displacing scores, killing 44 and injuring almost 192 people.9017 million people in ten provinces of which Hunan was hardest hit.4 billion in October alone and forcing 212,000 people to evacuate and burning down 1,300 structures by December, the total economic loss from wildfires in 2017 accrued to USD 180 billion.Floods in China: Floods in China beginning in January 2017 impacted 14.9017 million people in ten provinces of which Hunan was hardest hit.Hurricane Harvey, a Category 4 storm with 120 mph winds which devastated south Texas and Louisiana claimed 82 lives, CNN reported. In the aftermath of the floods, Hunan Provincial Commission for Discipline Inspection punished 15 officials as death tolls and losses steadily increased.Hurricanes were more powerful, floods more debilitating and wildfires more damning. 6000 people were injured causing damage to the Mexican states of Puebla, Morelos and Greater Mexico City just 12 days after the even larger Chiapas earthquake wreaked ruination in the country. (Photo: AP)Being regarded as the ‘worst’ in the state’s history, wildfires in California wreaked havoc in 2017. The economic losses can take years to recover making California wildfire season in 2017 not just most catastrophic but also most expensive.

Cyclone Ockhi which originated in the Gulf of Thailand and dissipated near the coast of Gujarat in western India left a trail of destruction behind it.Snowfall and cascading avalanches killed 156 in Afghanistan, according to CNN. (Photo: AFP)Floods in China beginning in January 2017 impacted 14. Floods in China claimed 144 lives in 2017 and incurred heavy economic losses as it crippled productivity.Landslides in the Democratic Republic of Congo killed 174, in August. The total economic loss from the earthquakes amounted to less than 1 per cent of Mexico’s GDP.Apart from this:117 died due to heavy rains and cyclones in Zimbabwe, rendering several others homeless, New Zealand Herald reported. Ockhi impacted Sri Lanka, Lakshwadeep, South India and Maldives. In 2017, California witnessed five of the worst wildfires in the state’s history, namely, Tubbs Fire, Nuns Fire, Thomas Fire, Atlas Fire and Redwood Valley Complex Fire, that scorched through the state between October and December. Water levels in more than 60 rivers in southern China had crossed well above the warning levels in lieu of continued rainfall with many major rivers flooding and crossing danger levels.Mudslides in Sierra Leone affected more than 6000 people, killing 600 others. Despite changing its course near Kanyakumari, toward Lakhwadeep and sparing mainland India, the cyclone incurred severe damages to structures and property, apart from the loss of human lives. 95 per cent of Barbuda stood depleted as the Category 4 wind stormed through Caribbean nations. (Photo: AP)Parts of the Gulf and Mediterranean are still reeling from the destruction brought forth by storms and hurricanes as the rest of the world gears up to kick-start 2018. However, the loss from environmental mishaps this year, when seen in terms of the economic loss it incurred, can perhaps seem more alarming than it does at first glance

He advises, “It’s pretty great that the ’90s are big news in fashion at the moment as it works perfectly for the sunless summer. One minute you’re shivering, the next you’re sweating. Yes, it makes you go romantic, and yes, it lets you cheat on your diet too! But sartorially speaking, there’s nothing worse than getting caught in the rain unprepared, right? Drenched clothes, messed up hair, wet shoes and mud all over.

A good pair will keep their shape, and tuck nicely into a pair of rain boots. But remember to not pick tall or clunky wellies. “Midi-length, cropped trousers or even jeans with frayed step hems totally work during the gloomy sunless days.The problem is, rain is incredibly difficult to dress for. Black is the safest hue, as it won’t show signs of rain or muddy splashes. Well, I got your back fashionistas. T-shirts under slipdresses or with short sleeves over long sleeves are Off-white spray fox fur faux fur fabric easy to adapt to any weather system that blows in. You could also opt for a midi pleated dress or pick a slim pant in a lightweight, quick dry fabric. Well, to end this craziness, we’ve put together a guide for smart rainy day dressing.Yes, it’s pleasant. A shiny pair of dark blue, black, green, or maroon coated jeans will look just as chic as leather leggings and can withstand a splash or sprinkle on a rainy day.

Also make friends with layering.”. Instead choose a pair that’s more sleek and short for more comfort and style.”If you don’t want to end up having blue toes, then avoid sandals. They have the look and feel of stretch leather, but durability of good old denim. A long-sleeved breathable t-shirt makes a great base for your raincoat.

The rain shouldn’t have to prevent you from looking your best, no matter where you’re headed. So, opt for something sturdy and simple in a dark shade.Don’t wear delicate fabrics like silk, or light colours like white during the monsoon season, says designer Gautam Gupta.”Mansi Bhasin, creative head at Olbees, suggests that below-the-knee is the ideal hemline during rains. Just remove layers as appropriate. Gautam adds, “Step into those sneakers, booties and rubber wellies. But that doesn’t mean there can’t be smiles when looking down at your feet. I hear ya. Sliders and fluffy mules are all very well but when there’s even a chance of rain, they’re best left at home.”She goes on, “One could opt for coated jeans too

Sheikh Hasina’s impassioned plea not to kill in the name of religion might find no response in ISIS, nor will religious sentiment like this being the holiest month of Ramzan inhibit terrorists from acting as they please.While such killings aren’t new, the paroxysm of fear it instils menaces the planet. Will the world realise this in time before the very fabric of modern life is destroyed forever.The official finding, that the restaurant attack was not by the dreaded ISIS but by home-grown outfit Jamaat-ul-Mujahideen, can bring no consolation to the Bangladeshi authorities, who must also to fight an image hit that may ultimately affect its tourism and trade.

A particular reason to worry stems from revelations on the economic status of the attackers, said to be well-educated young men from wealthy families who followed the new “fashion” in taking up militancy. It was either due to lack of adequate funds or resources, or Bangladeshi forces may have been told not to worry about the toll as long as the siege ended swiftly. Bangladesh may have a real problem in handling such strikes, as in the hostage-taking at a restaurant popular with foreigners and diplomats in Dhaka. This is all the more reason why India must aid Bangladesh in intelligence-sharing and otherwise to contain militancy.

But at least one of the two Baghdad blasts (on Karrada, where at least 78 people may have been killed) appears to bear the signature of ISIS, which also attacked Istanbul airport in Turkey last week. India has reason to worry over the targeting of Hindus and secular bloggers in Bangladesh, besides the major threat that such terror may spill over into our eastern sector too, probably aided by Pakistan’s Inter-Services Intelligence.Quick to claim responsibility for any act of terror around the world, from Orlando to Baghdad, ISIS is said to be hitting back after facing extreme pressure on one of its key bases in Iraq. Tackling terror is a mission it must take up in a far more united way lest it be scarred forever by this phenomenon of unleashing violence in the name of religion. Lack of experience in tackling them was apparent in the magnitude of collateral damage in the storming operations.The terror attack at brushed rabbit hair Faux Fur Fabrics a popular Dhaka restaurant on Friday night and the Baghdad bombings over the weekend are stark reminders of what the world is really up against.

A throwaway line in the midst of the terror, which said the attacks will go on as long as aircraft bomb Muslim countries, might have a chilling resonance. The problem is greater as there were a series of xenophobic attacks on foreigners, including Indians, in the past few months around Dhaka

با سلام.به دنیای لوکس بلاگ و وبلاگ جدید خود خوش آمدید.هم اکنون میتوانید از امکانات شگفت انگیز لوکس بلاگ استفاده نمایید و مطالب خود را ارسال نمایید.شما میتوانید قالب و محیط وبلاگ خود را از مدیریت وبلاگ تغییر دهید.با فعالیت در لوکس بلاگ هر روز منتظر مسابقات مختلف و جوایز ویژه باشید.
در صورت نیاز به راهنمایی و پشتیبانی از قسمت مدیریت با ما در ارتباط باشید.برای حفظ زیبابی وبلاگ خود میتوانید این پیام را حذف نمایید.جهت حذف این مطلب وارد مدیریت وب خود شوید و از قسمت ویرایش مطالب قبلی ،مطلبی با عنوان به وبلاگ خود خوش امدید را حذف نمایید.امیدواریم لحظات خوبی را در لوکس بلاگ سپری نمایید...